![]() On June 7, 1972, the production moved to the Broadhurst Theatre on Broadway, and on November 21, it moved to the Royale Theatre there, where it ran until January 27, 1980. The show was deemed eligible for the 1972 Tony Awards, receiving seven Tony Award nominations. Though Grease opened geographically off-Broadway, it did so under first class Broadway contracts. The new production, directed by Tom Moore and choreographed by Patricia Birch (who later choreographed the film adaptation, and directed the ill-fated sequel), opened Off-Broadway at the Eden Theatre in lower Manhattan on February 14, 1972. It was after test runs of the original Chicago production had drawn extremely poor reviews that the production team transformed Grease into its familiar form. The team headed to New York City to collaborate on the New York production of Grease. Producers Ken Waissman and Maxine Fox saw the show and made a deal to produce it Off-Broadway. In addition to the "R-rated" profanity and deliberate use of shock value, the Chicago version of Grease included a substantially different songbook, which was shorter and included multiple references to real Chicago landmarks. The cast: Doug Stevenson (Danny), Leslie Goto (Sandy), Sue Williams (Rizzo), Polly Pen (Patty), Gary Houston (Roger), Marilu Henner (Marty), James Canning (Doody), Hedda Lubin (Frenchy), Bruce Hickey (Kenickie), Sheila Ray Ceaser (Jan), Bill Cervetti (Miller), Jerry Bolnick (Sonny), Judy Brubaker (Miss Lynch), Mike O'Connor (Vince Fontaine), Steve Munro (Eugene), Barbara Munro (Cha Cha), Mac Hamilton (Teen Angel) and George Lopez (Bum). Warren Casey collaborated with Jim and together they wrote the music and lyrics. The script was based on Jim Jacobs' experience at William Taft High School, Chicago. The show's original production was directed by Guy Barile, choreographed by Ronna Kaye and produced by the Kingston Mines Theatre Company founded by June Pyskacek on Chicago's Lincoln Avenue. Production history Original productions and Broadway Jacobs has gone on record to voice his disapproval of Grease 2. A 1982 film sequel, Grease 2, included only a few supporting characters from the film and musical and had no involvement from Jacobs or Casey. A 2016 live TV musical used elements from both the original stage version and the film. Some of these revisions have been incorporated into revivals of the musical. ![]() This film version removed the musical's Chicago urban setting and changed some plot elements, characters, and songs while adding new songs and elaborating on some plot elements only alluded to in the musical. Grease was adapted in 1978 as a feature film also named Grease starring John Travolta (who himself had been in stage productions in a different role) and British-Australian singer and actress Olivia Newton-John. It remains Broadway's 16th longest-running show. It went on to become a West End hit, a successful feature film, two popular Broadway revivals in 19, and a staple of regional theatre, summer stock, community theatre, and high school and middle school drama groups. The first Broadway production opened on Jwhen it closed in 1980, Grease 's 3,388-performance run was the longest yet in Broadway history, although it was surpassed by A Chorus Line on September 29, 1983. From there, it has been successful on both stage and screen, but the content has been diluted and its teenage characters have become less Chicago habitués (the characters' Polish-American backgrounds in particular are ignored with last names often changed, although two Italian-American characters are left identifiably ethnic) and more generic. Grease was first performed on February 5, 1971, at Kingston Mines nightclub in Chicago. Jacobs described the show's basic plot as a subversion of common tropes of 1950s cinema, since the female lead, who in many 1950s films transformed the alpha male into a more sensitive and sympathetic character, is instead drawn into the man's influence and transforms into his wild, roguish fantasy. The show mentions social issues such as teenage pregnancy, peer pressure, and gang violence its themes include love, friendship, teenage rebellion, sexual exploration during adolescence. Subsequent productions toned down the more risqué content. In its original production in Chicago, Grease was a raunchy, raw, aggressive, vulgar show. The score borrows heavily from the sounds of early rock and roll. ![]() The musical follows ten working-class teenagers as they navigate the complexities of peer pressure, politics, personal core values, and love. This fictional high school was based on Taft High School in Chicago, Illinois, and named after rock singer Bobby Rydell. Named after the 1950s United States working-class youth subculture known as greasers, the musical is set in 1959 at the fictional Rydell High School in Northwest Chicago. Grease is a musical with music, lyrics, and a book by Jim Jacobs and Warren Casey.
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